Hanging Lock, weir, kiln

Eleven paintings went to Galerie am Kanal this week. Notes on what was left out, and why the smallest one hangs alone.

An empty gallery room with white walls and a concrete floor

Written

The gallery has two rooms and one long wall. I brought fourteen paintings and hung eleven. The three that went back in the van were not weaker; they said the same thing as their neighbours, a little more quietly, and a wall does not need that.

The long wall

The long wall takes the four large canvases with a metre and a half between them. Any closer and they read as one picture. Any further and you stop comparing them, which is half the point of showing a series.

Everything hangs with its centre at 150 centimetres. It is lower than most galleries choose, and it is the height I paint at.

The small one

Clay pit is forty centimetres high. On the end wall, alone, it holds a space eight times its size. I did not expect that, and it is the thing I will remember from this hang.

More notes

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